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Everything You Need to Know About Tickets to Boom Festival 2025
At Boom Festival, we believe in questioning everything. This principle is at the heart of our ethos and why we proudly remain an independent event, free from sponsorship and commercial promotion.
We've crafted our own micro-economy to navigate the uncertainties of the world. Without financial corporations and sponsors we've managed to stay true to our values and maintain our independence. Here, there are no VIP sections too—everyone is a VIP in our eyes.
Like many cultural organisations in countries with limited support for the arts, the COVID-19 pandemic posed a significant threat to our existence. But thanks to your unwavering support through ticket purchases, we managed to survive and continue our journey.
In an age of fractured communication, disinformation, and distrust, we want to be transparent about the details behind our ticket pricing.
For this edition, we have an important update for those purchasing tickets for teenagers born between 18 July 2007 and 17 July 2010. Please note that these tickets will require written authorization from a parent or guardian.
Your endless love and understanding are our greatest motivators. Together, we can keep the spirit of Boom alive.
Tickets to Boom 2025 are sold out. Thank you for your endless support.
Boom Festival tickets are limited in order to maintain a good balance between human presence and nature.
Ambassador tickets become available on 8 October 2024. Click here to know more.
Online tickets become available on 15 October 2024 at 09:00 Portuguese Continental time.
They are sold in phases, and with each phase, availability is limited.
Once a phase sells out, the next one begins immediately.
As Boom has been selling out since 2014, tickets might sell out, and we want to make sure you don’t miss out on this incredible experience.
Note: Ticket sales are subject to an extra fee for ticketing payment charges of the operator.
Did you know that...
If we were to calculate a daily estimate of the 2025 ticket price, the average price per day for Friendly Price ticket holders is €30.6 and Regular Price at an average of €36.25 per Boom-day?
We have a Friendly Price for people living in countries with specific economic realities.
Along its more than 25 years of history, Boom has applied this policy of inclusivity, so as to give residents of countries with lower levels of economic indicators the opportunity to experience Boom Festival. In doing so, Boom aims at the democratisation of the access to culture.
Boom Festival’s Friendly ticket prices are based on objective, economical criteria, such as: minimum wage per country; GDP per capita; and purchasing power in countries benefiting from the “Friendly” discount compared with other economic realities.
We source this information on the websites of Eurostat, UNDP, Statista and Pordata.
Friendly Price tickets apply to the following countries and territories:
Boom tickets are limited and there is also a limited number of Friendly price tickets. Once Friendly price tickets are sold out, Boomers living in the aforementioned countries and territories will still have access to Regular price tickets.
Ambassador tickets become available on 8 October 2024.
GETTING A FRIENDLY PRICE TICKET VIA BOOM AMBASSADOR
Valid legal proof of residence (eg: there are some countries where the residence is on the National Identification Document):
> Tax residence declaration
> Invoice for services related to your residence (electricity, water, etc.) issued on behalf of the Boomer
*Note: Boomers only need to provide ONE of the aforementioned options.
Documents that are not considered:
> Voter Card / Declaration of Residency in the Parish Council
> Car Insurance
Boom is a totally independent and free from corporate sponsorship festival. It is organised by a tax-paying cultural company settled in a remote region deep in the rural heart of Portugal, southern Europe. The whole Boom organisation encompasses two companies and a non-profit called IdanhaCulta.
It is financed by tickets, bars, accommodation services, and rental of space to shops, restaurants and cafes.
These are the funds that allow us to make a considerable investment into the production of the event, to pay off the loan we took to purchase the Boomland, and which helps manifest other ethical projects that we run parallel to the festival. It is due to your support that we can provide a stable job and fee on a monthly basis for dozens of people.
The ticket pricing has been designed to allow the festival to continually evolve. While ethical considerations of the global economy determine the decisions we make, we also need to take account of festival production costs, our need to keep delivering you a unique experience hence the adjustments on the ticket price in 2025 compared with 2023.
Current rising costs in Portugal, worldwide and on the festival culture scene have had to be accounted for when we work out how to price the tickets in 2025. Artists, technologies and suppliers are just some components of a fully fledged production facility like Boom.
Boom is not a headliner-centered festival - it is paramount for us to provide Boomers with the most diverse and innovative program all the while securing maximum comfort and proper infrastructures.
Countries with stronger economies and higher output of resources are allocated regular price. This enables more fragile countries to be given discounted ‘friendly price’ tickets. We are sure Boomers from countries with better economies can resonate with this concept.
On the other hand, we design our strategy so as to allow up to 500 people from a ‘guest country’ to join us at Boom for free.
On a separate note, growth is not an indicator of success for us. It means tickets for our 2025 edition will again be limited. This will provide an infrastructure that can cater for every single person within a safe and comfortable environment while maintaining a balance between human presence and the local environment.
Boom Festival production is long term endeavour that requires a group of dedicated people to work the year round. Therefore, our pricing takes into account all the running costs for the gap year in between each Boom - monthly wages for staff, taxes, rents, energy, water, and other expenses that come with running our organisations. This covers Boomland's maintenance costs and the taxes we must pay and on which you can know more about below.
We would like to thank each and everyone of you for supporting Boom Festival. It is due to your ticket funds that we are able to make this dream come true, cooperate with everyone while remaining independent and free from commercial sponsorship.
The stipulated price of every ticket is always subject to tax. In Portugal, these are the main taxes that Boom Festival pays:
VAT
COMPANY AND STAFF TAXES
BOOMLAND TAXES
Boom Festival is an independent festival solely financed by the revenue generated via ticket sales and services provided during the event. Good Mood is the company which has been producing the festival since the very first edition. Today, two organisations are responsible for Boom Festival:
- Good Mood Lda, which produces Boom Festival
- IdanhaCulta Association, a non-profit entity which manages Boomland
Both organisations are staffed by several people connected with Boom Festival, and neither comprises elements or members from external corporations.
Below you can find a simplified extract of our official financial report, as well as relevant information about IdanhaCulta Association and Good Mood Lda, pertaining to the years 2017 and 2018 and peaking at the times of the Being Gathering 2017 and Boom Festival 2018. In this report we’ve also included data related to parallel projects such as events produced for external entities and consultancy services.
Producing Boom is a two-year long endeavour. Revenue generated in 2018 allows both organisations to run during the gap year between each Boom. This revenue also enables us to employ a monthly average of 35 people all year-round in one of the most disadvantaged regions in the country.
Neither Boom Festival or the Being Gathering benefit from any commercial nor state sponsorship whatsoever.
The full report, delivered to the State yearly, is available online.
By disclosing these results, we hope to provide Boomers with the transparency and respect they so much deserve. Thank you.
Below you can find a simplified extract of our official financial report, as well as relevant information about IdanhaCulta Association and Good Mood Lda, pertaining to the years between 2019 and 2022. In this report we’ve also included data related to parallel projects, such as events produced for external entities and consultancy services.
During these years we went through a pandemic period that did not allow us to carry out all the scheduled events.
Revenue generated in 2022 allowed both organisations to function during the gap year between each Boom. These years, whose accounts we present, contributed to the survival of the organisation between 2020 and 2021, during which we were forced to reschedule the festival twice.
It also represents the employment of a monthly average of 38 people throughout the year in one of the most disadvantaged regions of the country.
Neither Boom Festival or the Being Gathering benefit from any commercial nor state sponsorship whatsoever.
The full report, delivered to the State yearly, is available online.
By disclosing these results, we hope to provide Boomers with the transparency and respect they so much deserve. Thank you.
Below you can find a simplified extract of our official financial report, as well as relevant information about IdanhaCulta Association and Good Mood Lda, pertaining to 2023. In this report we’ve also included data related to parallel projects, such as events produced for external entities and consultancy services.
Neither Boom Festival or the Being Gathering benefit from any commercial nor state sponsorship whatsoever.
The full report, delivered to the State yearly, is available online.
By disclosing these results, we hope to provide Boomers with the transparency and respect they so much deserve. Thank you.
Everything that is generated at Boom is reinvested in the festival, in new ideas and dynamics, people, artists, the land, and the infrastructure required to create from scratch such a manifestation of human potential. The revenues are invested into the production of the festival.
They are used to maintain the organisation working on a daily basis and dozens of people that work throughout the year. Revenues are also channeled into a grassroots initiative we launched, known as the Boom Karuna Project. A huge chunk is also invested into the festival’s environmental program via the Boomland.
On a bureaucratic level, there’s the Portuguese licensing and tax system to deal with too, and due to the fact that Boom Festival is held in Portugal's inland we estimate 20-30 per cent higher costs compared with productions done around the main urban centers.